![]() ![]() Sex Cartoons – Sci Fi Stories in 3d. Gb of Photo and video, 3. D and cartoon, from lovely babes intimate lookups to the shocking bdsm penetration on more than 2. ![]() ![]() The 3. 0 greatest ever designs in sci- fi movies. From prosthetic masks to future costumes, giant starships to alien worlds, the world of science fiction movies offers a unique opportunity to the designer to create something new and mindblowing. The sky’s no longer the limit: the boundless landscapes of time and space offered by fiction's final frontier mean creatives can really let their imagination run wild. And in doing so, they've created some unforgettable designs with popular appeal far beyond the hardcore sci- fi niche. Here we've selected our 3. Plus we've enlisted some leading designers to help us pinpoint exactly why they've become so iconic. Have we included your favourite designs? George Mezori, Science Fiction related 3D Models, Images and Animations including Star Wars, Star Trek, Babylon 5, Blade Runner, Battlestar Galactica and Aliens. A list of the best 3D films of all time. This 3D movies list can be sorted by cast, year, director, or more. What's the best 3D movie of all time? We've selected the very best designs in sci-fi movies, and a host of influential designers discuss our picks. Top 50 Sci-Fi Movies, from 2001: A Space Odyssey to Back To The Future. If not, let us know in the comments below! Hailed as one of the best animes of all time (and rightly so) Akira was based on the comic book series by Japanese artist Katsuhiro Otomo. The film was released in America on July 1. A never- aging tale, the story and characters are timeless creations. However, it's the electric bike ridden by the character of Kaneda that really strikes us as the stand- out design of the film. Created by Katsuhiro Otomo, it is stated in the film that the bike features . Many have tried to replicate the bike, with some claiming that there are three 'real' bikes still in existence. However, it will cost you around $1. Designer views: Aardman Digital's senior designer, Gavin Strange: ? It's red, it's big and it's fast. Brought to life in Neo- Tokyo it just oozes coolness, especially in the opening scene of the film with the light trails (which is a feat in animation itself, especially considering it was made in 1. The bike is just a much a character as Kaneda or Tetsuo and I always wince a bit at the end of the film when the bike is battered and broken, it's a thing of awesomeness for sure! Akira took that feeling and combined it with Syd Mead style design and forged something newer and cooler but with a nod to nostalgia. It's just so unbelievably cool, yet looks like it would actually work in the real world (as has since been proven, with various real life replicas in existence). It looked brilliant on- screen in that way that only Anime designs really can. It crosses the sweet spot of sci- fi with one foot in the present; one in the future. Nobody actually manufactures a vehicle like this, but it's not a huge leap to imagine them doing so. When you think of cool Japanese engineering, your mind instantly goes to sports bikes, and it was right when the world was falling out of love with Triumphs, Harleys and BMWs. It's still looks futuristic 1. Also looks like it would ride pretty well! And that's exactly what millions of viewers got with the Enterprise. Although the ship first appeared in the television series of Star Trek, we felt that the design itself needed to be included in the list. After all, a refit of the original NCC- 1. Enterprise did feature in both the 1. MOVIE PRODUCTION COMPANY IN HOLLYWOOD Hire Us ULL LENGTH MOVIES in description: BORN INTO MAFIA 2. How many of those terrifying weapons could actually exist. Sci Fi Fonts - Page 1. 1001 Free Fonts offers a huge selection of free fonts. Download free fonts for Windows and Macintosh. Instant Deals. Join our Instant Deals Mailing list today and you will never miss out on a Hot JB Hi-Fi Deal, plus you will receive exclusive offers on a huge range of. Star Trek films. Walter Matt Jefferies was the man behind the legendary Enterprise design. The appearance of the ship in 1. TV and movie spacecrafts. Star Trek creator Gene Roddenberry didn't tell Jefferies what he wanted to ship to look like, instead he told him what he didn't want. According to Jefferies, Roddenberry was also absolutely clear to avoid any resemblance to a 1. Speaking to Star Trek Magazine, Jefferies said that: . He had emphasised that there were to be no fins, no wings, no smoke trails, no flames, no rocket. I'm an Enterprise D man myself and its smoother, flowing lines were very much of the period, with 9. Throwbacks to 2. 00. The Enterprise D was also one of the earlier proponents of flat touchscreen interfaces. In fact there were hardly any buttons anywhere. On top of that the space docks had fixed the sliding door mechanisms too. About as iconic as it gets, and pretty much timeless. It's unique amongst fictional space vehicles as it's progressed through every decade from the 1. The film provided an allegory for the political and social struggles faced in South Africa, and around the world. Director Neill Blomkamp wanted the feel of the movie to be as 'real' as possible, hence the clever cinematography and documentary style film- making. Renowned design company Weta Workshop (who are also part owned by producer Peter Jackson) were hired to create the most important element of the film - the aliens nicknamed 'prawns.' Neill was very clear that he wanted the aliens to have a strong insect feel, with varying colours and contrasts while being non- reptilian. The final alien was created by whittling down a number of illustrations, before using programmes such as Maya to create the finished 3. D version. Lead concept designer Greg Broadmocare had already worked on the likes of Avatar and King Kong, proving that the prawns were created by some of the best artists of our time. Designer views: Founder of Pariah Studios and 3. D artist, Rob Redman: . Weta did a fantastic job of making them completely odd yet letting the viewers empathise. Credit has to go to the animators as well as the creature designers, of doing fantastic work on portraying emotions believably. Kudos to the animators for making these guys characters we can empathise with. This shows very clearly how good the team on District 9 are because they pulled it off beautifully. It is perceived that Gort is the servant of Klaatu throughout the film but it is revealed at the end of the film that Gort has been the leader the entire time. On screen, Gort appears to be around 7ft 7in (the height of actor Lock Martin) and made entirely from 'flexible metal'. Two suits which were designed and built by art director Addison Hehr were attached to the actor front to back so that the robot could appear seamless. Lifted boots were also used, whilst air holes were placed in the chin of the robot helmet. What makes this design so worthy is the subtle scariness achieved with minimal effects. Gort's 'eye beam' is terrifying, whilst still adding a slight human aspect by actually giving the robot an 'eye'. It's clear that Gort's design has gone on to influence other sci- fi baddies, such as 2. A Space Odyssey's HAL, with his one red eye and monosyllabic tone. As for the remake? We won't go into that. Designer views: Founder of Pariah Studios and 3. D artist, Rob Redman: . Many many designs owe their look to it - Cylons and even Hal's glowing red eye harks back to it. Who can argue that a giant metal robot forged from millions of tiny nanobots isn't cool? Perhaps a little dated by today's design standards, but pure vintage class. The glowing robotic slit- eye opening is one of the most perfect images of robotic menace I've ever seen on- screen. The only hurdle however, was that the main character couldn't talk. Fear not film lovers, for Pixar went on to create one of their best characters to date. For a robot that couldn't talk, the design had to kick ass. He needed to be able to capture the hearts of the audience (and make them cry, obviously) so what were the designers to do? Thankfully, director Andrew Stanton and his team were able to turn Wall- E into a wonderfully expressive and highly emotional mechanism. His eyes, modelled on a pair of binoculars and his Charlie Chaplin inspired clumsiness makes him the child- like star of the show. Credit also has to be given to legendary sound designer Ben Burtt for creating the amazing noises throughout the entire film. Without him, we wouldn't have Wall- E's adorable 'Eve' exclamation. You can even check out a 'real- life' Wall- E at Disneyland now! Designer views: Animator, Illustrator and Digital Designer, Gareth Axford: . He's a metallic Charlie Chaplin! Again, the designers and animators did an amazing job in making it so easy for the audience to connect with a little rusty yellow rubbish collector. The texturing of this character is so carefully handled; he's essentially a scrappy pile of old rubbish himself but he comes across so well on- screen. He has everything he needs to emote to the audience without over- complicating his design. There are many similarities between Wall- E and Johnny 5, which I find strange as I never really bought into the Short Circuit robot (despite him being designed by the legendary Syd Mead), but Wall- E had me from the start. Perfectly handled. The hat- tip towards Apple in his startup chime was a lovely touch too (also a nice reminder of the Pixar history and connection).? So the actual film may not be Oscar- worthy but it's a rip- roaring ride of big hair, space travel and some very skimpy outfits. The movie solidified Jane Fonda as a forerunner in Hollywood and spurred a number of sexy sci- fi flicks. The Orgasmatron - or as it's referred to in 1. Barbarella 'The Excessive Machine' - is as over- the- top as it gets. But you know what, we relish a bit of excessive design when it comes to sci- fi and why not? It's 1. 96. 8, so the time calls for a machine that pleasures you to the point of death right? Right? The Excessive Machine is operated by the film's antagonist Dr. Durand- Durand. Resembling a clamshell, the machine grasps the entire body below the neck and massages the passenger by flexing its upper half with a wave- like motion from right to left. The lid is made of long, rigid rod- like paddles that lie in a row, side by side. It is operated from a keyboard resembling that used to control a large organ. Designer view: Visual Effects Artist and designer of Moon, Gavin Rothery: . I know there are some other shapes and colours in that film and perhaps some noises.. This story, starring Matthew Broderick, takes the video game boom to the extreme when reality is confused with game- play and Broderick's character almost starts World War III. The computer at the helm of all this is called 'WOPR', which stands for War Operation Plan Response. Some claim that director John Badham initially called the machine NORAD SIOP (Single Integrated Operational Plan) but eventually decided against it.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. Archives
September 2017
Categories |